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Post by Chopsen on Apr 10, 2022 13:27:05 GMT
I'm still baffled by the last 3 Skywalker films.
I realise the first was just a palate swap from New Hope, and the second kind of continued that is a different direction, but I have no idea what the last one was about. It was just a mess.
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Post by Bill in the rain on Apr 10, 2022 13:39:48 GMT
I think people don't give the MCU movies enough credit for trying new things, within the strict confines of being MCU-ish. Captain America did the classic retro hero movie thing. Thor 2 did a kind of war movie thing. Avengers was something pretty ambitious and innovative at the time. Iron Man 3 did the whole PTSD thing, plus the out-of-left-field plot twist. Guardians was a pretty huge change in style and a big gamble that could easily have gone wrong. Winter Soldier was a cold war thriller kind of thing. Black Panther was pretty original in terms of culture and design. Ragnarok was a bit Guardians, but it was also prog-rock music video and a big style shift for thor.
Homecoming was their spin on a john hughes-ish teen movie.
I haven't seen Shang Chi, but I hear it's their spin on kung-fu movies. I mean, if you compare them to indie movies then they're hardly that disparate in style, but if you compare them to other AAA blockbusters then they're at least trying to do their own spins on different genres, within the confines of the superhero genre. But yes, Ghost was massively mistreated. I was kinda expecting her to come back as a team mate... who knows, maybe that'll still happen.
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anephric
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Post by anephric on Apr 10, 2022 13:45:05 GMT
It does perplex me that Marvel were willing to let Taika Waititi do pretty much what he wanted on Ragnarok but fell out with Edgar Wright (who had ostensibly much more of a track record than Waititi at that point) on Ant Man and wouldn't let him do his own action scenes.
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Post by Jambowayoh on Apr 10, 2022 14:44:08 GMT
I'm still baffled by the last 3 Skywalker films. I realise the first was just a palate swap from New Hope, and the second kind of continued that is a different direction, but I have no idea what the last one was about. It was just a mess. Why did it confuse you, did you not play Fortnite to get enough background and info on what the Emperor had been doing all this time???
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Post by Jambowayoh on Apr 10, 2022 14:46:36 GMT
It does perplex me that Marvel were willing to let Taika Waititi do pretty much what he wanted on Ragnarok but fell out with Edgar Wright (who had ostensibly much more of a track record than Waititi at that point) on Ant Man and wouldn't let him do his own action scenes. I wouldn't say so, there's a big enough gap between Wright leaving and Ragnarok being announced, especially with the reaction to Iron Man 2 being a bit of a mess, to see that perhaps their viewpoint may have been changed enough to let a director inject some of their personality into the machine.
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Post by simple on Apr 10, 2022 15:07:35 GMT
The moment has probably passed completely now but I’d still love to see Wright getting his shot at an MCU property. Ant-Man is fine but I think a few Wright trademark flourishes could’ve made it a lot of fun.
I think AM2 is the better film because it has the sort of fun with the concept that I think someone like Wright could have added to the fairly pedestrian first.
But then Eternals is probably the one of all 27 that is most distinct in looking like it belongs to its director and their style just fell completely flat in the MCU so maybe be careful what we wish for.
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MolarAm🔵
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Post by MolarAm🔵 on Apr 10, 2022 15:20:17 GMT
I think Marvel will let directors inject their own personality into their movies... as long as that personality lends itself to the existing formula, with the rapid-fire quips and such. Taika Waititi can do it, James Gunn can do it, Sam Raimi, etc etc.
And that's fine. It's their product, the formula works. But I don't think you'll ever see it get *really* arthouse and weird.
I guess what I'm trying to say is, get Jodorowsky to make Doctor Strange 3.
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Post by simple on Apr 10, 2022 17:13:01 GMT
Starting a petition for David Lynch’s Return of the Jedi now
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britesparc
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Post by britesparc on Apr 10, 2022 21:05:47 GMT
I think Marvel had this sort of second-quarter wobble with a few directors, and Feige has kind of alluded to it. You had Patty Jenkins fired from Thor 2, and then apparently the entire film re-thought and re-edited; there was a lot of push-back and rigamarole around Age of Ultron; and about this time Wright left Ant-Man over "creative differences". Reading between the lines I think they maybe were still finding their feet in terms of a house style, creating a larger multi-film arc, and doing individual films justice.
All that being said, I still don't think they've produced any outright clunkers. Compare any MCU movie to the majority of Hollywood blockbusters over the last decade; there's a base level of quality in terms of story, action, effects, and acting. Even a relative misfire like Iron Man 2 has the race track action scene and Sam Rockwell being Sam Rockwell. Even Eternals - which I'm a lot more positive about than most! - has some really great cinematography, the bonkers Celestial stuff, and a pretty decent twist.
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aubergine
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Post by aubergine on Apr 11, 2022 6:25:15 GMT
None of them are reinventing the genre like a Star Wars or Matrix. They absolutely are, but they're doing it in a different way, which is to say, they're creating this whole "interwoven" approach to movies, the U in the MCU, which is not something that has really been done before - it's been touched on, but never in the same way, or to remotely the same degree. It's a more meta approach than an approach contained in a single movie, but it's absolutely having the same level of influence as SW or the Matrix, in terms of how its impacting movie-making. It has impacts within movies too, because they're conducted in a different way when they're part of a "universe". Also people are definitely more forgiving of mediocrity in the context of a "universe". Not just with movies - this is very obvious with long-running book series too - Brandon Sanderson has his "cosmere", which is a Brandon Sanderson Literary Universe - and the amount fans forgive the mediocre books because they're part of it is staggering. I'm not saying this to praise Marvel particularly, but I think it's easily as big a deal as SW/Matrix in terms of what its doing. I largely agree with "skin deep and interchangeable". One of the things I liked about No Way Home was that it had at least a scintilla of emotional depth, and the plotline was definitely not interchangeable with any other MCU movie, because it was about healing and forgiveness, not, basically vengeance or just stopping a baddie. It's actually been weird with stuff like Ant Man 2 where, you'd have thought healing/forgiveness might have been a theme, but it totally wasn't - they're just horrible to the villain, troubled as the villain clearly is and this despite Ant Man supposedly being a "good guy". Yeah I also disagree. MCU is it’s own genre at this point. They took the idea of sequels and blew it apart to be a series of interconnected media which has cribbed from comic books the idea of having a house style, which I’m not sure I’ve seen since Hammer Horror movies, never on this scale. And that style itself was largely invented with Iron Man, a movie that was largely improvised, if you can believe it. like it always has with comic books, the house style will change, experiment and adapt, but only as a reaction to flagging interest. Given Spider-Man 8 just destroyed the world box office, they probably won’t be doing more wacky creator-led stuff for a while. In fact, eventually we’ll probably have an Image Comics-esque counter reaction to marvel. Maybe we are already seeing that with Deadpool, Everything Everywhere All At Once, The Boys, The Umbrella Academy etc.
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Post by Vandelay on Apr 11, 2022 8:01:38 GMT
I'm still baffled by the last 3 Skywalker films. I realise the first was just a palate swap from New Hope, and the second kind of continued that is a different direction, but I have no idea what the last one was about. It was just a mess. Why did it confuse you, did you not play Fortnite to get enough background and info on what the Emperor had been doing all this time??? It still shocks me that they decided to explain the First Order only in novelisations or comics or wherever it was. Same with Palpatine's resurrection. Both just appear out of nowhere in the films. The whole clone angle for Palpatine is terrible either way. There is even dialogue in Revenge about his master learning how to bring life to other people. It could have easily built on that to explain how he could survive.
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lexw
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Post by lexw on Apr 11, 2022 8:36:55 GMT
In fact, eventually we’ll probably have an Image Comics-esque counter reaction to marvel. Maybe we are already seeing that with Deadpool, Everything Everywhere All At Once, The Boys, The Umbrella Academy etc. Image wasn't so much as a counter-reaction as a cash in, which doubled-down on elements that juvenile dudes loved (violence, tits, edgelord-ism, etc.) not as a reaction against, but because juvenile dudes were the primary market for "collectors editions" and also the sort of creators who were super-into this stuff were, well, juvenile dudes. The idea wasn't change, nor like really thinking about comics hard, it was making $$$ off pushing limited editions and so on, whilst letting creators do the (often ill-conceived) projects they'd always wanted, which "the man" might have stopped them doing (because tits, violence, etc.). The real "reaction against" actually started far earlier, with Watchmen and so on, and really was most focused just after the Image era in the '00s, with the deconstruction and then later reconstruction of comics. All the while Marvel did their very commercial thing. Alan Moore of course did work on both sides of the equation here. The Boys is a late-deconstructionist comic and the show follows suit, Deadpool is certainly mostly deconstructionist, though Deadpool 2 is so well-executed and has so much heart it's kind of more than that, Invincible tries to do both deconstruction and reconstruction but leans towards the latter (I feel), The Umbrella Academy is kind of its own thing and I don't think really a reaction. Everything Everywhere All At Once is certainly a reaction to something and looks intriguing, but I don't know much about it. Stargirl is pure reconstructionism - it might be kind of boring but it's actually a really good example of that. There was a fairly dire Netflix superhero series which tried a bit of both but leaned reconstructionist too, I forget its name. I think what we're seeing right now isn't really a reaction to the MCU per se, rather aside from Deadpool, the Watchmen TV series, and Everything, it's just people making old ('80s through '00s) deconstructionist and some reconstructionist comics into TV shows. Even Deadpool seems more like a reaction to the X-Men movies than the MCU so far. But I think you're right that we will see a reaction. I just don't think we'll really see it for a while yet, because I think a lot of it will come from younger filmmakers/writers. For now we're just seeing echoes of an earlier reaction, for the most part.
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Post by Chopsen on Apr 11, 2022 8:53:16 GMT
The whole clone angle for Palpatine is terrible either way. Wait. What. Really? Is that what happened?
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Post by Jambowayoh on Apr 11, 2022 8:58:42 GMT
The whole clone angle for Palpatine is terrible either way. Wait. What. Really? Is that what happened? Yes. Yes it is. It's what happens when you're on the bus to school and you've forgotten you need to direct the final film in a trilogy and you haven't written the script yet.
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Post by simple on Apr 11, 2022 10:01:07 GMT
I would wonder about an indie swing being the reaction to the MCU but we’ve already had Super and Kick-Ass which to varying degrees did that. Or even The Incredibles although that was essentially just Watchmen Jr but miles better than the actual Watchmen film which was shite
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Post by drhickman1983 on Apr 11, 2022 10:10:42 GMT
The Watchmen film had a few decent bits. The opening montage, and a few other scenes.
I also think getting rid of the Cthulu genetic abomination and using Dr Manhattan as the "villain" in Ozymandias's plan was actually a decent idea and a good way to streamline some of the story.
But yeah overall it was a bit naff.
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Post by simple on Apr 11, 2022 10:22:03 GMT
I think all of the issues Watchman had as a film stem from the fact that Snyder appears to have taken it all at face value. Like thinking Rorschach is cool and edgy and not a severely damaged maniac like Moore intended. Once you’re off in the wrong direction like that nothing else falls where it should.
And Snyder is just a rubbish director too, obviously.
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Post by Jambowayoh on Apr 11, 2022 10:22:29 GMT
Well your main issue is Zack Snyder, he's got a great vision in terms of visual aesthetic but my god he's so EdGy you could cut yourself on him. He just needs to be kept away from the writer's room and someone to tell him he doesn't need to make every film from the mindset of a 15 year old boy with anger issues.
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Post by drhickman1983 on Apr 11, 2022 10:25:05 GMT
Oh for sure, Snyder definitely seemed to have missed the point in some of the characterisation. But he's not the only one who missed the point of Rorschach.
Tbh I generally enjoy Snyder's films but can't argue against most of the criticism leveled against him.
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MolarAm🔵
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Post by MolarAm🔵 on Apr 11, 2022 10:32:36 GMT
Whenever I see someone at a convention dressed up as Rorschach, I'm always a bit weirded out. Like... you understand that he's a complete sociopath, right.
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Reviewer
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Post by Reviewer on Apr 11, 2022 10:34:08 GMT
I wish Tony Scott had been given Man of Steel instead of Snyder.
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Post by simple on Apr 11, 2022 10:58:54 GMT
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anephric
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Post by anephric on Apr 11, 2022 11:09:45 GMT
I met a random guy the other day when I was offloading a load of my old comics, we were merrily chatting away until I mentioned Alan Moore and he showed me his Rorschach tattoo.
I don't really know what to say to someone who adores Rorschach.
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MolarAm🔵
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Post by MolarAm🔵 on Apr 11, 2022 11:10:24 GMT
You don't say anything. You just back away slowly.
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Post by drhickman1983 on Apr 11, 2022 11:16:52 GMT
I'm just picturing the scene from Alan Partridge but with the guy having a Rorschach tattoo, not a Partridge one.
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Bongo Heracles
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Post by Bongo Heracles on Apr 11, 2022 11:25:23 GMT
‘Why do you have a tattoo of my dead mother on your arm?’
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dogbot
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Post by dogbot on Apr 11, 2022 11:38:09 GMT
Whenever I see someone at a convention dressed up as Rorschach, I'm always a bit weirded out. Like... you understand that he's a complete sociopath, right. Their costume has probably done its job, tbh.
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Deleted
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Post by Deleted on Apr 11, 2022 11:40:04 GMT
Is it any different to cosplaying or getting a tattoo of the Joker or Darth Vader or someone similar?
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Reviewer
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Post by Reviewer on Apr 11, 2022 11:41:51 GMT
Or Freddie Kruger.
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Post by drhickman1983 on Apr 11, 2022 11:48:27 GMT
Is it any different to cosplaying or getting a tattoo of the Joker or Darth Vader or someone similar? I'd definitely think somebody with a Joker tattoo is a bit odd. Vader is a bit different, he wasn't sociopath. I mean, say what you want about the Sith but at least it's an ethos.
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