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Post by Deleted on Jan 23, 2023 10:12:03 GMT
I've seen that Jacquard one. Two of my Fenders are for 'work' and have to go with white shirt/black tie so I think that's in the realms of 'too jazzy?' for that - but I have a blue Tele at home that might work with that. It's currently paired with a Fender roadworn in brown that is this peculiar shade that goes with no guitar.
The only thing I've found is that thinner cloth/nylon ones can dig in a bit - I got rid of a Fender tweed one for that reason, and that's why I haven't seriously looked at that EB one, but, it does look very nice in your pic.
That Gibson strap looks nice, but the 'guitar brand' leather straps always seem really marked up in price.
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Post by elstoof on Jan 23, 2023 10:39:16 GMT
They do plain colour ones I think, they’re pretty nice. Fairly wide and quite thick. Also I wear my guitar pretty high/nerdy so it’s doubled up almost the full length. The Gibbo ones are pretty dear but I’m an old tart. No hum from the scratch plate, I was ready to run a ground wire if it did though Found a pic of my LP with its brown strap
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Post by Deleted on Jan 23, 2023 18:02:25 GMT
They do plain colour ones I think, they’re pretty nice. Fairly wide and quite thick. Also I wear my guitar pretty high/nerdy so it’s doubled up almost the full length. The Gibbo ones are pretty dear but I’m an old tart. No hum from the scratch plate, I was ready to run a ground wire if it did though Found a pic of my LP with its brown strap Cheers. More of a honeyburst that almost. Lovely. Mine is much darker round the edges and almost purpley. A mate does have a strap a similar tan colour, I'll whip the Gibson round at some point and check it out.
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Post by Deleted on Jan 23, 2023 18:05:09 GMT
I've got a bright blue Fort Bryan one on my tobacco sunburst offset. And a black and white checker one on the Les Paul. I don't think I'd dare try and pull the checker off, but would love to see it
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dogbot
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Post by dogbot on Jan 23, 2023 19:08:03 GMT
@drakesmoke it looks like this
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Post by arnvidr on Jan 26, 2023 20:07:46 GMT
I actually prefer the thin and plain black nylon ones, and even use that with my electric bass (although that one might actually be a Fender-branded one that I turned inside out. It's not here where I can check).
I could never commit to something with a very prominent brand or pattern, and probably initially went for the plain black ones to fit my "very serious" metal band back in the day.
I still play mostly fairly intense music though, and any of the cloth ones, or the broader ones, just makes me extra sweaty and uncomfortable. It's all about that style though.
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Post by Deleted on Jan 28, 2023 16:37:15 GMT
Horses for courses innit. Still not decided on black or brown for my burst LP which is here:
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Post by Deleted on Jan 28, 2023 16:57:22 GMT
So after buying the newest madness, I did the usual and went back one guitar to the last purchase which has hardly been used. A Gretsch Electomatic G5420T in orange stain.
Just doing some set up stuff on through the day, finally getting the factory strings off. The finish and build are brilliant.
Corners look to have been cut in the fretboard wood (Indian Laurel) and the electronics. The pots are absolute nonsense and only have about a third of a usable turn. Will have to get a new harness at some point. Epiphone at similar or lower price points nowadays seem to get absolutely banging electronics but frequently do apparently no fretwork.
Any recommendations welcome, I'm guessing the same stuff you'd throw in any other humbucker guitar will do the trick.
I'll probably end up going the TV Jones route eventually to swap out the stock blacktops.
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Post by elstoof on Jan 28, 2023 17:39:27 GMT
Some laurel can be pretty good, the squire bass I got my daughter has a lovely bit of laurel, just a bit pale. Has it got filtertrons? They’re usually 250k I think, Gretsch wiring can be a bit weird with the master volume and all that, I don’t have any experience with them tbh. Speaking of fretboards, I had some wood delivered for a few builds I’m planning and I swear that one do the rosewoods they sent is Brazilian. Look how red it is! Proper result
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Post by Deleted on Jan 28, 2023 21:57:47 GMT
It looks like people are doing 500K across the board in their aftermarket harnesses. Given that these seem to cost about £100 plus I'll have to pay someone to do it, I reckon I'll keep the pickups and just do that. They are 'Blacktop' Filtertrons which are just in the Electomatic line.
Yeah laurel can be very variable. I had a Squier bass I sold primarily because I just didn't like the fretboard - it was very grey almost. I feel Epi laurel can be a bit dull too until treated.
I've given the Gretsch three treatments today, a clean with Dunlop 65, a soak with it and then some of that Monty's Instrument Food (which is really just scented beeswax I later discovered). It's a light coloured board with really nice grain, it just had that 'new modern guitar' thing where it's lighter than it could be because it needs conditioning. It looks nice now.
First time restringing a Bigsby the traditional way, previously had the string fender thing on my last Bigsby. It's a pain but I reckon I have the knack now. The additional length gives you a lot less play for winding at the post.
EDIT: The board looks not unlike your left example there now. I'm not a rosewood snob I just don't like it looking dead. I actually really like a lighter pau ferro board I have.
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Post by elstoof on Jan 28, 2023 22:26:22 GMT
Are you giving the string a pre bend at the ball end before stringing the bigsby
ive darkened many a bit of wood with some dark brown shoe cream, I’ve always got plenty of that knocking around here for obvious reasons. Pretty sure that’s all the Monty’s relic wax is.shoe creams have less petroleum solvent than hard waxes like kiwi etc. The relic and reproduction builders usually use boiled linseed oil to get their boards looking old
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Post by Deleted on Jan 28, 2023 22:37:32 GMT
Are you giving the string a pre bend at the ball end before stringing the bigsby ive darkened many a bit of wood with some dark brown shoe cream, I’ve always got plenty of that knocking around here for obvious reasons. Pretty sure that’s all the Monty’s relic wax is.shoe creams have less petroleum solvent than hard waxes like kiwi etc. The relic and reproduction builders usually use boiled linseed oil to get their boards looking old Yeah, I looked it up prior and all fine. The main issue was having less string to manipulate at the other end because of the increased length backwards. It's not the relic wax I got, it's the 'instrument food'. It's white beeswax basically. Probably got hoodwinked a bit on the price there. In any case, it does give a nice sheen. Going to have a go at checking the relief and definitely at adjusting the pickup heights tomorrow. I've only done one truss adjustment before which was for the very lower end of Squier, I'm a bit nervous but think I've done enough homework. Truss, nut and frets, and electrics have traditionally been my 'take it to a tech' limit, but I've been let down by techs a few times in the last year or two and am trying to be more self-sufficient. At some point later in the year I'll look at the upgrades which may include a roller bridge, but I have a very problematic Tele to do first.
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Post by elstoof on Jan 28, 2023 22:44:14 GMT
Truss rods are easy enough, I fuck about with mine all the time. just remember they aren’t there for adjusting action, only relief. Fret the string at the 1st and the body, there should be a very slight gap at the middle of the neck when you tap it
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Post by Deleted on Jan 29, 2023 23:07:10 GMT
i.postimg.cc/5tJJZNfF/PSX-20230129-224413.jpgDone with this one...for now. Relief done (slackened slightly), action lowered a smidge, fretboard cleaned, oil soak and wax, pickups adjusted (neck raised about as far as I dared), intonation done. Much more pleasing. The bridge pickup is amazing on this. Like a thicker and chimier Telecaster bridge almost clean. Dirty it's really got a bit of attitude. The neck pickup I'm a bit less pleased with. It's nice and woody but in the highs, very neutral to the point of being a bit dark and even raising it I can't get it to balance with the bridge for volume. It mixes well with the bridge pickup though. I may look at the pole pieces next. In the future this definitely gets at least refreshed pots and caps and possibly new pickups - although I dig this blacktop look so I'm hoping I can make it work. elstoof , you asked about the controls earlier. So the lower control is a master tone, much like a Tele. Then the knobs above are mixing/blending volumes for the two pickups. Then the knob on the lower bout is a master volume. With the master volume, unlike a Gibson scheme, you don't get that volume dropoff in the middle position if you lower either pickup in the mix. I notice at the start of the thread user clemfandango got an Electromatic, interested to hear your experiences if you're out there. I'll have a go at the Firebird next.
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Post by Danno on Jan 30, 2023 2:04:50 GMT
Gorgeous. Absolutely gorgeous.
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Post by elstoof on Jan 30, 2023 7:17:16 GMT
Seriously cool, csnt decide if I’d want to knock out stone roses or a stray cat strut if I picked one up
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Post by Deleted on Jan 30, 2023 8:25:55 GMT
Cheers all. What you don't see here is that it's a stain too the orange - so you can see all the nice grain through it.
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Post by clemfandango on Jan 30, 2023 12:09:43 GMT
i.postimg.cc/5tJJZNfF/PSX-20230129-224413.jpgDone with this one...for now. Relief done (slackened slightly), action lowered a smidge, fretboard cleaned, oil soak and wax, pickups adjusted (neck raised about as far as I dared), intonation done. Much more pleasing. The bridge pickup is amazing on this. Like a thicker and chimier Telecaster bridge almost clean. Dirty it's really got a bit of attitude. The neck pickup I'm a bit less pleased with. It's nice and woody but in the highs, very neutral to the point of being a bit dark and even raising it I can't get it to balance with the bridge for volume. It mixes well with the bridge pickup though. I may look at the pole pieces next. In the future this definitely gets at least refreshed pots and caps and possibly new pickups - although I dig this blacktop look so I'm hoping I can make it work. elstoof , you asked about the controls earlier. So the lower control is a master tone, much like a Tele. Then the knobs above are mixing/blending volumes for the two pickups. Then the knob on the lower bout is a master volume. With the master volume, unlike a Gibson scheme, you don't get that volume dropoff in the middle position if you lower either pickup in the mix. I notice at the start of the thread user clemfandango got an Electromatic, interested to hear your experiences if you're out there. I'll have a go at the Firebird next. That’s a beauty, I think they do a version with gold and silver hardware which is really nice too. I’ve got the g5422t as per the first page. It’s my most used guitar and sits in the living room. For the money I don’t think you can get a much better guitar
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Post by Deleted on Feb 5, 2023 11:17:16 GMT
Very Harrison/Squire. I still need to tinker with mine a bit as I'm a bit dissatisfied by the neck pickup volume. I was wondering if you'd had any similar issues but it doesn't sound like it
Have just ordered some micromesh pads. Have two Epis with slightly scratchy frets, the JJN I posted before and a Firebird. My first clear day today when I'd love to be working on them and the pads don't arrive until later next week. Grrrr.
The Firebird is another one where the pickups feel imbalanced, this time the bridge. It doesn't feel underpowered, just imbalanced. I need to read around to work out whether that's just an inherently Firebird thing.
I'm not sure the case for my 'bird would fit in my car easily so I'm gonna try to DIY this!
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Post by elstoof on Feb 5, 2023 12:36:22 GMT
Just got some hot ceramic double white humbuckers for a Buckethead style build I’m planning, similar to the 500T 496R in his signature. can’t wait to hear these chug
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Post by Deleted on Feb 5, 2023 18:50:46 GMT
Just got some hot ceramic double white humbuckers for a Buckethead style build I’m planning, similar to the 500T 496R in his signature. can’t wait to hear these chug Ceramic will be pretty brash and hot! That shred stuff is beyond me. Post the build when done please!
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Post by Deleted on Feb 5, 2023 19:04:08 GMT
On the bench today. And by 'the bench' I mean on top of the case on the bed with a tool case shoved under the neck. Luckily for a Firebird, the case IS a desk, basically. This was from the Epi 'Inspired By Gibson' series, which is the newer run with the more Gibson-like headstocks and stuff. I have a 335 from that series too which is great. All of them use Indian laurel for the fretboards and this does need treating. I'd previously done this one with that Monty's wax but I think I'll save it for tables now - I mustn't have buffed it enough and there was residue bothering me. It's had a good couple of coats of lemon oil and a good scrub and looks much better now. I read a few instances of people noting that techs use leather strips to polish frets - I actually had a go with a strap I don't love and I think it did make a bit of a difference. I've always found this really a bit too low and buzzy. Well it turns out it was the relief - it needed slackening quite a bit. Once that was done I pulled the action down just a hair but it was amazing - it must have been really throttled before as it has so much more acoustic energy now. I'm glad I overcame this fear of the truss, I'm a bit addicted to it now. Like a new guitar now. If you ever fancied one and can spare the cash and space (the case is a juggernaut and is heavy to boot) I can recommend them. You look a bit of a **** with it on of course. And you have to watch you don't smash the headstock to bits if you are standing and turn rapidly. It's like a really fat Tele on the bridge pickup, minus that inherent Tele ice pick sound. Twang and attitude, but quite a nice chime when the volume is rolled off. The neck pickup is on the other hand like a bigger fatter Strat. It's like having a hot-rodded version of each but with a Gibson scale and the body of a Chevy Bel Air.
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Post by elstoof on Feb 5, 2023 19:16:07 GMT
I’ll have a Firebird one day, love the look of them. havent really played much with one but they're like strapping a beautiful massive coffee table round your neck and the pickups are badass. I’ve got the ES coming and an Ibanez nylon string preordered that I’m on the fence about, plus 3 I’m planning on building… it’ll have to wait a couple of years I think
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dogbot
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Post by dogbot on Feb 6, 2023 21:20:52 GMT
Yeah, per the other thread, one day there's going to be a 65 Firebird V when I have enough cash to get it. 😁
@drakesmoke might be my favourite yet. Or so far...
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Post by Deleted on Feb 7, 2023 21:58:56 GMT
Had the house free tonight so having received my micromesh kit, set to work on the Gold Glory.
I went from the third coarsest mesh to the very finest, which was like working from extremely fine sand paper to satin sheets almost in terms of the material. Didn't understand why there were two widths of fret protectors until I got to the final three - the gap between frets is too narrow for the standard one there.
I just applied very light pressure with my index finger and did about 6 passes, (down the line of each fret not the board) on the coarser stuff and a couple more on the finer ones.
It's made a real difference visually and an even bigger difference to feel - gone is the sand my/gritty feel. I think Epi often skimp on polishing their frets after they are dressed to cut costs.
Anyway the pads were about £14 on Amazon and I highly recommend them - they'll take out scratchiness and shine your frets mind but won't level etc. I had real trepidation about it but if you are gentle they aren't stripping meat from the bone.
Also happy to report the ebony board looks even nicer after nourishing it.
I shan't bother posting photos for this bit.
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Post by elstoof on Feb 7, 2023 23:05:19 GMT
Can’t beat a smooth fret. I’ve usually used a combination of wet and dry, fret erasers and dremel polishing wheels when dressing frets, I’ll give the micro mesh a go next time as I don’t think the erasers are all that effective tbh
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Post by Deleted on Feb 7, 2023 23:23:12 GMT
I looked into the erasers, these were much better value. If you get the same set have a wee Tupperware handy or something as the packet isn't re-sealable.
I've heard people using those magic sponges too but you'd obviously only have the one grit.
I was very happy with the results here.
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Post by mothercruncher on Feb 8, 2023 2:24:39 GMT
There’s no excuse for not finishing frets properly, such a key part of the guitar feel. I guess they reckon if customers at the lower end don’t know then they don’t know.
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dogbot
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Post by dogbot on Feb 18, 2023 21:27:55 GMT
I mentioned it on the other thread before, but I finally had enough of having the Washburn and not being able to play it or sell it.
So today, I fixed it. Probably.
I unsoldered and resoldered some dodgy looking wires, cleaned up some gunk and gave the connections, pots and switch a squirt of evaporating electrical connector cleaner.
Plugged in and tuned it, no immediate change but after playing extensively with all the switches and pots, it seems to be working again.
Sorry, didn't take any pictures.
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Post by mothercruncher on Feb 19, 2023 8:19:29 GMT
It sounds like a bit of corrosion/gunk and you’ve cleared it by wiping the potentiometer arm back and forth. I got a load of pedals I made years ago out of the loft and half worked, half didn’t, and the ones that didn’t just needed playing with, pots twisted, tubes removed and re-inserted. Basically did a mechanical turn em off and on again \o/
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